Foggy Notions & U:MACK presents Meatbodies


Date: 20 Aug 2024
Time: 8pm
Ticket Price: €22 BUY TICKET

Foggy Notions & U:MACK presents Meatbodies

The Workmans Cellar, August 20th, 2024

Los-Angeles based band Meatbodies, led by Chad Ubovich (Fuzz and Mikal Cronin’s band) 

Meatbodies’ latest undertaking and borderline lost album, Flora Ocean Tiger Bloom is
their most varied and realized work to date. It’s a melodic, hook filled rock epic in which
frontman and lead guitarist Chad Ubovich faces the trials of sobriety, redemption,
reinvention while literally, learning to walk and play again.

Resurrection not only accompanies the record, but its production as well, Flora Ocean Tiger
Bloom examines themes surrounding love and loss, escapism, defeatism, hedonism,
psychedelics and much more. “The last record was more of a cartoon version of who we
were– simple and fun without delving into heavy concepts,” recalls Ubovich. “The whole
thing before with Meatbodies was never sit down, next part, next part, but I wanted to make
something with more depth. After everything that had happened, and my personal life, I was
left with this feeling of emptiness and loss. So I wanted to make music that was absent from
things– songs that were more about conveying feeling.”

This March Flora Ocean Tiger Bloom finally saw its release via In The Red. Its
lead single and video “Hole,” is pure alternative rock sweetness and clearly
a nod to an amalgamation of shoegaze juggernauts from yesteryear. Backed by a
brand-new video by Matt Yoka, “Hole” is immediate, dosed with enough pop and psilocybin
to appease fans of both heavy rock and a quality melody. “That was one of the first songs I
wrote, and I think it’s really indicative of that time,” says Ubovich. “How I was thinking and
feeling and what I wanted to accomplish with this LP before I even knew it.”

By 2017, Meatbodies’ Ubovich had reached a crossroads. After years of increasingly insane
shows playing to heaving crowds with an ever-evolving and rotating door of personnel,
fatigue had taken its toll and he realized another change was on the horizon. “It was like the
car had run out of gas in the middle of the road, and I knew I had a long walk ahead of me.”
Retreating to the seedy Los Angeles underbelly– in search of meaning and a reset. Ubovich
escaped into that world, ignoring his own well being, trying to forget his successes. “I was
living like a 90’s vampire out of a comic book. Stumbling around LA with the socialites,
partying away my sorrows, trying to forget.”

It was at this point that Flora Ocean Tiger Bloom began to take shape—a project built by a
man searching for new beginnings and his own sense of self. After sobering up, writing
sessions began at Ubovich’s home and various studios with longtime collaborator Dylan
Fujioka. Eventually, the official production for Flora began in 2019, but it was a story left on
the editing table. Due to discrepancies with the studio, tensions were high and the plug was
pulled. Left with an album only half baked, it seemed like Flora had been put to rest. After
the fires cooled and many discussions about the future of the album. Ubovich finally got the
green light to finish production for Flora in 2020 when he hit another snag– the pandemic.
And as the world took a back seat, so did the idea of Flora Ocean Tiger Bloom.

Not wanting to sit still at home, Ubovich began to comb through his previous demos with
Fujioka while writing for Flora. And with that, 333 was born, the now de facto third
Meatbodies LP. Yet Flora was never far from Ubovich’s mind and once again he revisited
the idea of completing the now fabled album. As restrictions started to lift, Ubovich headed
to Gold Diggers Sound in Los Angeles, backed by engineer Ed McEntee and a team of
colleagues and friends, Ubovich completed the final act to the album, but he still wasn’t
quite out of the woods just yet. He now faced a new crisis, one that proved to be more
terrifying than any before: his home that he had spent the last 8 years in had been deemed
uninhabitable and he wound up in a hospital bed where he spent the next month of his life.
Having to not only learn to walk again but also learn to play again, Ubovich used an
upcoming tour with his band FUZZ as a motivating factor and hit the road for a year trying
to regain a sense of normalcy. By the time Ubovich returned from tour he was centered and
energized, ready to conquer his white whale – Flora Ocean Tiger Bloom. The mission was
finally a success. Armed with a new home and a new studio – The Secret Garden, Ubovich
mixed the album himself, looped in Brian Lucey at Magic Garden to handle mastering, and
Flora was completed, five years after those fateful demos with Fujioka. “A lot happened with
this record – it took me five years, I was out of a band, I had a drug problem, the album
almost didn’t happen, the pandemic made it almost not happen again, and then in the end I
almost died in the hospital, lost my house, and had to learn to walk again. It’s been quite a
road, but I could not be more thrilled with the final output. I guess the juice was worth the
squeeze?” laughs the Meatbodies frontman.

And so here we are, with Flora Ocean Tiger Bloom, an album completed by an ironclad will
and steely determination. A massive step forward, both by conventional standards and
considering its tumultuous path toward completion, the album is set for release. The LP
recalls the searing Blue Cheer-meets-Iggy Pop-with-psychedelia that permeated previous
releases, but adds new elements of shoegaze, classic alternative, Britpop, drone, and hints
of country—blazing trails without ever sounding forced or alien. Simultaneously an ode to
’80s LA punk and the rise of indie/alternative music in the U.K., Flora Ocean Tiger Bloom
plays like a radio station broadcasting from the void, with a cosmic playlist of early Pink
Floyd, Ramones, Roky Erickson, Kinks, and Spacemen 3. And while those names may
seem outwardly disparate, Ubovich crafts a distinctively Meatbodies arc among the songs,
creating an eclectic and unmistakably cohesive piece of work in total. It all adds up to an
effort that shows strength in its diversity, which is only secondary to its impeccable
songwriting.