MCD Proudly Presents DILLY DALLY

Date: 31 Aug 2016
Time: 8pm
Ticket Price: €15 BUY TICKET

MCD Proudly Presents


+ special guests

Wednesday 31 August 2016

The Workman’s Club, Dublin

Doors 8pm

“not just huge, but Pixies huge…[‘Desire’] hits that ever-elusive sweetspot between total recklessness and sly control.” – The FADER

“a sodden Breeders-worthy riff…’Desire’ is a lustful, exhilarating swamp; Dilly Dally know it’s not always pretty when love is overtaking you.” – Pitchfork

“Dilly Dally have been releasing a series of increasingly explosive singles, all in the long lead-up to their debut album, where it sounds like they ll harness all that rage into something really magical, at least if lead single Desire is any indication.” – Stereogum


“a vital, vicious statement of intent…On the one hand, Desire sounds giant venue-ready, sky-reaching with its intent – on the other, it s an intensely personal, introverted kick to the system.” – DIY


For twelve years Katie Monks and Liz Ball have been connected through music. A sister-like bond that requires no words. The two Toronto-based musicians met in high school over a common love of legendary bands like The Pixies, scrawling lyrics and poetry to mimic their heroes. Both self-taught guitarists, Ball and Monks also idolized the lackadaisical sorrow of Kurt CobainChristopher Owensand Pete Doherty, slowly manifesting that admiration into their own band they called Dilly Dally.

“We started a band because we believed in ourselves,” says Monks“and we believed in Music – almost like it was a religion.” .

Dilly Dally‘s debut album ‘Sore’ is heavy and melodic. The record has nods to Sonic YouthYeah Yeah YeahsThe Distillers, and even The PoguesMonks calls it “All that and a bag of weed.” After years of rotating members (Ball and Monks have traded out three drummers and bassists), they have settled with Benjamin Reinhartz and Jimmy Tony. The combination resulted in a debut that sweeps the listener along into Monks‘ psyche, as she screams in a coarse holler that chameleons, sliding in cadence and scale. Monks paints pictures of snakes crawling out of her head, while Ball adds simple, sparkling guitar leads that cut through the wall of fuzz and pedals. Reinhartz‘s drumming is instinctual, driving forward, while Jimmy Tony carries the melody along with his simple and effective bass lines. Dilly Dally plays like one person, a unit that works to infect the audience. After a few choice singles and a 7″, the band’s debut is strong work, due in part to production from Josh Korody (Fucked UpGreys) and Leon Taheny (Owen PallettAustraDusted).

‘Sore’ is a dynamic album that rarely lets up. The pop sensibilities shine through the noise. This is what makes Dilly Dally feel like an updated version of the quiet-loud-quiet simplicity coined by the Pixies and mimicked by Nirvana‘s fleet. The opening track ‘Desire’ details a great sexual release, while instant hits like ‘Purple Rage’‘Next Gold’ and‘Snake Head’ challenge menstruation, self-reinvention after heart break and band dynamics – and Canadian cigarettes.‘Sore’ is a youthful, charmingly green manifesto that grabs the listener even further with the guidance of a lyric sheet.

“Lyrics are so, so important to me,” says Monks“But singing them clearly is not close to as important to me as the feeling of the vocal performance.” As a young music lover, Monks loved having to research the lyrics of the band she loved, digging through to find out what her icon was actually talking about, never fully knowing. “The lyrics are often more like me talking to one of my best friends. Passing on important messages that I think they should know about. Music has always been my best friend, so our songs are meant to be that for someone else.”.

With choice reviews from PitchforkFADER and Noisey as well as commendable performances at festivals like CMJ and NXNE and a growing  fan base outside of their Canadian east coast home, Ball and Monks are ready to embark on tour and figure out the ropes along side their bandmates, who have been around the block a million times over in their previous projects.


“Music, to me, is a cultural conversation happening all the time – and I wanna be a part of it. Listen to what others are saying, and respond…it all connects to what is going on in the world. We came from the suburbs with complete naivety, and blind faith in our dreams,” says Monks“We still have that blind faith, I guess. Perhaps, we are less naive.”.